THE PLAIN DEALER SUNDAY, JANUARY 15, 1995 9-J Orchestra bringing madness of 'Wozzeck to concert CONCERT FROM 1-J You could say Dohnanyi is mad about "Wozzeck." His 1981 recording with the Vienna Philharmonic has been hailed as the most powerful and accurate version Berg and his do colleagues available. Dohnanyi has championed the Second Viennese School, Arnold Schoenberg and Anton von Webern, for three decades. admiration for "Wozzeck" is understandable. Despite early naysayers, Berg's first opera brought the operatic art into the 20th century once and for all. What sets the expressionistic "Wozzeck" apart is its supreme combination of harrowing scenario and tautly dramatic score.
"The title character is a historic figure, a German soldier who was beheaded in 1824 for killing his mistress. Wozzeck is an anti-hero, inarticulate yet perceptive, a jealous man who is exploited and tormented by an uncaring world. He has had a child with his girlfriend, Marie. She enters into an affair with the Drum Major, who beats Wozzeck. The Captain taunts Wozzeck.
The Doctor uses him in a series of painful scientific experiments. Could Berg be reflecting a European society on the brink? The work certainly reflects aspects of Berg's life. At 18, he impregnated a young woman and contemplated suicide. When he entered the military, he came to sympathize with Wozzeck. "There is a bit of me in his character, since I have been spending these war years just as dependent on people I hate, have been in chains, sick, resigned, in fact, humiliated.
Without this military service I should be as healthy as before," wrote Berg, who had discussed the subconscious mind with Siegmund Freud when the Viennese doctor diagnosed the composer's asthma in 1908. Berg became acquainted with the subject of his opera when he attended the 1914 Vienna premiere of Georg Buchner's 19th-century play, "Woyzeck," whose title was misspelled when the work's faded script was restored in 1879. Drawn to the dark tale of social brutality, the Austrian composer believed he could create a bold piece of musical theater from the text, which was unfinished when Buchner died in 1837 at 23. Berg set out to compose "Wozzeck" in a new style that would tie Buchner's fragmented scenes into a compelling whole. He had moved away from timehonored harmony, but unlike Schoenberg, his teacher, Webern, who only and romantic roots.
By not abandoning looked forward, Berg, retained classical the past, Berg achieved far greater public success than his colleagues, which rankled Schoenberg no end. In writing "Wozzeck," Berg trimmed Buchner's text and devised an ingenious plan to achieve unity. He built the opera in sonata form, casting the three acts as exposition, development and recapitulation and creating logic through an array of musical forms. Act I is made of five character pieces (suite, rhapsody, march-lullaby, passacaglia, rondo) that define the people in Wozzeck's beleaguered world. In Act II, Berg fashioned the drama around a symphony in five movements (sonata movement, fantasy and fugue, largo, scherzo, rondo finale), while Act III comprises six inventions (on a theme, with seven variations and a fugue; on note on a rhythm; on a chord; on the key minor; and in a perpetual motion).
DALE OMORI PLAIN DEALER PHOTOGRAPHER Henry Steinberg, who has lived in Cleveland since 1927, was in the audience at Berlin State Opera on Dec. 14, 1925, for the world I premiere of Alban Berg's "Wozzeck," which the Cleveland Orchestra performs this week at Severance Hall. Remembering Wozzeck' world premiere By DONALD ROSENBERG PLAIN DEALER MUSIC CRITIC ati On Dec. 14, 1925, Hans Heinrich Steinberg embarked on a "mission. The 23-year-old, who was working for an auto parts company in Berlin, Germany, delivered a bouquet of wildflowers to a singer at the Berlin State where a new opera would its world premiere that night conducted by Erich Kleiber.
Steinberg delivered the bouquet to Swedish soprano Sigrid Johanson at the request of a friend who was an acquaintance of the singer. He scribbled an in.scription on a silk ribbon the Swedish and took the flowers to the stage door. Sevferal hours later, he used the -ticket his is friend had given him to sit in the balcony for the first per- formance Wozzeck," of in Alban which Berg's Johanson opera, had the role of Marie. Jump to Dec. 14, 1994.
Henry Steinberg, as he has been known a since he arrived in the United States in 1927, is playing host in the living room of his Cleveland He has pulled out sev-eral recordings of "Wozzeck," books and articles about Berg and collection of plays by Georg -Buchner, who wrote the original drama, "Woyzeck," on which the uppera is based. The elegant Steinberg, 92, says the remembers little about the 'TWO ENTHUSIASTIC THUMBS UP! THIS IS ONE OF THE YEAR'S BEST PICTURES! A FIRST- CLASS EFFORT ALL AROUND, MARVELOUSLY ENTERTAINING, SURPRISINGLY SO. SISKEL SISKEL FBERT LITTLE. WOMEN PG SAL PICTURES NOW SHOWING CHAGRIN CINEMAS LAKESHORE 8200, E. Washington E.226th, Lakeshore 731-1700 REGAL CINEMAS GENERAL CINEMA GREAT LAKES MALL RIDGE PARK SO.
Great Lakes Mall-951-3500 1-480, Ridge Road REGAL. CINEMAS REGAL CINEMAS SEVERANCE SOLON COMMONS Mayfield 4 Taylor 291-1244 Aurora, Enterprise Pky -248-7373 REGAL CINEMAS GENERAL CINEMA: WESTLAKE PROMENADE WESTWOOD TOWN CTR. 30147 Detroit Rd. 071-7661 Ct. W.ol FOR THEATRES AND SHOWTIMES CALL Berg employed these forms to bind the piece together, not so listeners would be forced to solve a complex puzzle.
The composer stressed that "from the moment the curtain parts until it closes for the last time, there must be nobody in the audience who pays any attention to the various fugues, inventions, suites, sonata movements, variations and passacaglias nobody who heeds anything but the social problems of this opera, which by far transcend the personal destiny of Wozzeck." Still, an alert audience will be caught up in the opera's hypnotic inventiveness. The vocal writing encompasses traditional singing, speaking and forms of (Sprechstimme, Sprechgesang) that blend pitches and speech. Berg's spare dissonance is balanced by distinctive lyricism (Marie's lullaby) and Mahlerian eloquence (final orchestral interlude). The five-part snoring chorus for the soldiers (Act II, Scene 5) is another autobiographical reference: Berg endured the "polyphonic breathing, gasping, and groaning" of fellow recruits while in training camp. The orchestra doesn't so much team with the singers as it comments on the action and the characters' inner lives, a style drawn from Wagner.
Berg's orchestra indeed is Wagnerian, although the writing never covers the voices. The instruments step forth to overwhelm only in the interludes, especially the shattering passage after Wozzeck drowns while searching for the knife he used to kill Marie. The opera is filled with bloody images and a general air of hysteria. It is Berg's great accomplishment that "Wozzeck" is complicated in design yet direct and forceful in impact. Marie sings that Wozzeck is "so haunted." In the right hands, he stands at the center of a work that can be a haunting and mesmerizing experience.
For your information Christoph von Dohnanyi conducts concert performances of Berg's "Wozzeck" at 8 p.m. Thursday and 7:30 p.m. next Sunday at Severance Hall, 11001 Euclid Cleveland. Tickets: Call 231-1111. 3 New Releases $6.00 AVON LAKE 4 Shows Lake Balore Pd 6 PM $3 933-4444 RICH' PG) (R) 9:15 "THE JUNGLE BOOK" (PG) "LITTLE WOMEN" (PG) BEREA 201 Berea, Front OH St.
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Entertainment, Live Performance ADULT MOVIES 1 Open 24 Hrs. 267-7979 LOEWS Get a taste of the world and Wednesday in The Plain Planning a trip? Read The Plain Dealer Travel Section first. 1925 premiere. A few moments later, he lists the exact addresses of his Berlin apartments during his two-year stay. He mentions the shouts, approving and otherwise, that greeted "'Wozzeck" that historic night.
"I wasn't too interested" in the opera, Steinberg says, with an impish grin. "I like the music very much, but I was more interested in women then." Sixty-nine years after one of the most important operatic events of the 20th century, Steinberg is immersed in "Wozzeck." He began to realize "how important it was" only many years after he attended the premiere. "Wozzeck" came to national attention when Dimitri Mitropoulos and the New York Philharmonic performed it at Carnegie Hall in 1951. The Mitropoulos performance became work's first commercial recording. Steinberg owned a copy he donated it to the archives of the Cleveland Orchestra, which presents concert performances of the opera this week at Severance Hall.
Steinberg has donated several other items to the archives, including a rare copy of the orchestra's 1940 recording of Berg's Violin Concerto featuring Louis Krasner, the work's first soloist, under Artur Rodzinski. A member of the Print Club of Cleveland for more than 50 years, Steinberg has devoted much of MIDWAY MALL 8 LOCATED at MIDWAY MALL on RTE 57 Just South of 1-90 324-2226 Theatres ALL BARGAIN Little SHOWS DEMON Tues, Dolby Different MATINEES STARTING thru Women Stereo Times Thurs. BEFORE EVERY 6 (PG) (R) DAY PM Legends of the Fall (R) THE SANTA CLAUSE (PG) Richie Rich(PG) Zone 9:55 Street Fighter (PG-13) Dolby Stereo Houseguest (PG) Dolby Stereo Nell (PG-13) Dolby Stereo his life to collecting. He began purchasing drawings, paintings and photographs in the 1940s at bargain prices. He has been honored for donating much of the collection by such artists as Roy Lichtenstein, Paul Klee, Robert Rauschenberg and Andy Warhol to the Cleveland Museum of Art.
As a youngster in Dortmund, Germany, Steinberg received a rich cultural education. He studied piano and violin, became fascinated with the visual arts and attended the opera. His first collectible was a biography of the German Renaissance artist Albrecht Durer. After his stay in Berlin, Steinberg decided he didn't want to go into the family business, a department store. So, in 1927, he traveled to Cleveland, where he had relatives, taking along one book, an illustrated edition of Goethe's "Faust." His parents and a sister later moved to Brazil.
Two other sisters died in a Nazi concentra- GOLDEN GLOBE INCUDOING NOMINATIONS 4 BEST PICTURE BRAD ANTHONY AIDAN PITT: QUINN LEGENDS of FALL TRISTAN PICTURES A LED ORD FALLS MANGAEA AN LECENDS OF THE OR THOMAS TAMES HONKER RES MERCY IN TREE NO ALL HECELLE TO ENCE SOL HE 1 BED NOW BEREA SHOWING Berea, Oh -234-4300 CHAGRIN CINEMAS COLONY 5 Washington R1 13116 Shaker LOEWS: REGAL CINEMAS EAST GARFIELD MALL Richmond Mall 449-4321, Rockside Tumey 662-6155 REGAL CINEMAS REGAL CINEMAS GREAT LAKES MALL GREAT NORTHERN Great Lakes Mall-951-3500 Brookpark Lorain-777-4600 GENFRAL CINEMA LAKESHORE 7 PARMATOWN E.226th Lakeshore 731-1700 Ridge Ridgewood- 894-6406 REGAL CINEMAS HOYTS CINEMAS SOLON COMMONS TOWER CITY 11 Aurora Enterprise Pky -248-7373 Tower City Cur. 621-1172 REGAL CINEMAS GENFRAL CINFMA WESTLAKE PROMENADE WESTWOOD TOWN CTR. 30147 De troll Rd. 871-7661 Car. Ridge- W.ol 2101-331-2815 FOR THEATRES AND SHOWTIMES CALL tion camp.
In Cleveland, Steinberg worked as a machinist at Weatherhead Industries for 25 years before retiring in 1967. His wife of 50 years, Lillian, died in 1984. In recent months, Steinberg has been exploring which he hopes to hear at Severance this week. He attended the orchestra's performance of Wagner's "Das Rheingold" last season and was thrilled. He would like to discuss German culture with music director Christoph von Dohnanyi, who was born in Berlin in 1929.
Steinberg appears to be in ro-' bust health. He turns 93 next month. He says he does "all the wrong things. I don't exercise. I don't eat the right foods." But he is enriched by his collection of books, prints and recordings: "I think it's my medicine." "A Fun, Warm-Hearted Love Story, Walter Matthau in an inspired performance.
The cast is uniformly terrific." Ebert "One of the smartest romantic comedies of the year. Full of pleasures large and small. Check it out!" -Jock Mathews, NEW YORK NEWSDAY HOVCLIZ PG ED TM COPYRIGHT CO 1954 BY PARAMOUNT PICTURES. RIGHTS RESERVED. NOW CHAGRIN CINEMAS SHOWING 8200.
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